That did help give me the confidence to take this movie in directions that, without Темний лицар (2008), might not have been possible.' Nolan has often stated that the classic James Bond movies were an influence on his The Dark Knight trilogy. What Nolan proved was that you can make a huge movie that is thrilling and entertaining, and has a lot to say about the world we live in, even if, in the case with Темний лицар (2008), it's not even set in our world. Mendes said: 'In terms of what (Nolan) achieved, specifically Темний лицар (2008), the second movie, what it achieved, which is something exceptional. A shot of Bond standing on top of a building, looking out over London with a flag of England, evoked Batman perched on rooftops looking out over Gotham City. Interestingly, a recurring line of dialogue in Темний лицар повертається (2012) was 'permission to die', this is also the title of a 1989 James Bond comic book. Several early reviews of this movie likened the mood of the movie to that of Темний лицар повертається (2012). This movie was influenced by Бетмен: Початок (2005) and Темний лицар (2008) by director Christopher Nolan, according to director Sam Mendes.

But in true espionage fashion, the ad still warns of utmost secrecy and strict confidentiality, advising potential candidates that they cannot disclose that they are making an application to anyone.

The ad also dismisses the white male spy stereotype, saying that 'the truth is, we don't care what sex you are, or where you're from, as long as you're a British national.' The humorous advertising campaign is considered one of MI6's most open recruitment drives. A few days after this movie debuted in Britain, the real MI6, the Secret Intelligence Service (S.I.S.), took out a full page advertisement in 'The Times' and 'The Sunday Times' running with the headline 'If the qualities that make a good spy were obvious, they wouldn't make a very good spy.' The aim of the ad was to debunk the legend and mythology associated with movie fiction spies, like James Bond in this movie, saying that real-life spy work is not 'high-speed chases and shoot-outs', an average spy is not a 'globe-trotting secret agent' and that psychological profiles of real-life agents show that they are actually 'far more ordinary'.

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